1
2
3
4
5
![flatland1.jpg](https://images.squarespace-cdn.com/content/v1/541e06b3e4b0a990b33e849c/1411341699209-XIKZYXOMDHWBDDY6YPQU/flatland1.jpg)
![flatland2.jpg](https://images.squarespace-cdn.com/content/v1/541e06b3e4b0a990b33e849c/1411341697867-9Q99P32FBCUZ78XCRS4F/flatland2.jpg)
![flatland3.jpg](https://images.squarespace-cdn.com/content/v1/541e06b3e4b0a990b33e849c/1411341702627-WGULX8HOBHJODFBW7XQT/flatland3.jpg)
![flatland4.jpg](https://images.squarespace-cdn.com/content/v1/541e06b3e4b0a990b33e849c/1411341702078-F8Q8W0HZTYSTV3FK7DDI/flatland4.jpg)
![flatland5.jpg](https://images.squarespace-cdn.com/content/v1/541e06b3e4b0a990b33e849c/1411341705443-HHH88XU9BXKAEIG8N8BO/flatland5.jpg)
Data Visualization & Accordian Fold Book
—
This interpretation of the 1884 satirical novella Flatland by Edwin Abbott creates a textual landscape of the characters in the novella. In the story, the two-dimensional characters are divided by a social hierarchy determined by their shapes. More equilateral shapes have higher social standing.
Thinking of the characters in the text as a data set of shapes, I used Scriptographer to create a tool in Adobe Illustrator to plot each successive instance when a character is named. The resulting visualization is a landscape created by mapping Flatland’s characters as the reader moves through the text.
The book is accordion folded with a wrap around spine. The front and back covers are held together by snaps that can be released to allow the book to lay as a continuous page, emphasizing the data visualization